Thursday, May 30, 2013

က ေလး ေတြး


က ေလး ေတြး


Their agenda for today; …. Lunch with Soros…. at noon.
ဘယ္ မွာ မ်ား ပါ လိမ့္

ဆိုင္ မွာ လား အိမ္ မွာ လား နံ ပါတ္ ငါး ရိပ္ သာ ေပၚ မွာလား

မန္ ဟက္ တန္ ရဲ့ အ လယ္ ပန္း ျခံ က ခံု တန္း တစ္ ခု မွာ မ်ား လား

ဟ ိုဓါ တ္ ပံု ေတြ အ မ်ား ၾကီး ရွိ တဲ့ သူ ရဲ့ ရုံး ခန္းမွာ ေန မွာ ပါ.. 

အင္း  မိုး က ႐ြာ ေန တယ္ ဆို ေတာ့


ဘာ စား မယ္ ထင္ လဲ
ေစ်း ၾကီး ၾကီး ေပး ရ တဲ ဂ် ပန္ က လာ တဲ့ အ မဲ သား ကင္ လား
ႏိုး….  သူ ေဌး ေတြ က အ သီး အ ႐ြက္ သ မား ေတြ မ်ား တယ္
ဒါ ဆို ခါ ဂ်ိဆု ေန မွာ ေပါ့  ဟုတ္ လား

အင္း….  ဟို တံ ခါး အ ျပာ နဲ႕ Per Se လဲ ျဖစ္ ႏိုင္ တာ ဘဲ

ရုံး နဲ႕ နီးတယ္ ေလ

အာ လူး စား သူ မ်ား ထဲ မွာ ေတာ့ သူ ပါ မယ္ မ ထင္ ပါ ဘူး

အင္း ..သူ က အ ေ႐ွ႔ ဥ ေရာပ တိုက္ သား ဆို တာေမ႔ ထား မွာ လား

ရြာ က အ ေၾကာင္း ေတြ ဘဲ ေျပာ ၾက ဦး မွာ လား….ျဖဴး…..

လား, ေတြ မ်ား လြန္း လို႕

ဒီ မွာ ဘဲ…..



ကြၽႏု္ပ္ ၏ အ ေတြး သက္ သက္ သာ
KST. May 24, 2013 7:29 pm.

Speaking with Onur Dinc; Street Art NYC


We discovered the wonderfully talented Onur Dinc while he was painting over at 5Pointz during his recent visit to NYC. We were delighted to have the opportunity to speak to him before he returned to his home in Switzerland.
Your artwork that has surfaced here at 5Pointz is exquisite. Have you a formal art education?
I apprenticed as a painter in my late teens. Then I studied set-design for four years in Solothum and graphic design for another three in Basel.
And when did you begin sharing your talents in public spaces?
Five years ago. That’s when I met Wes21 and KKade of the Schwarzmaler collective


 
 
We’re so glad you guys met! How do you feel about working outdoors in the public sphere?
It’s great. I love it, and I love meeting the many people who stop by.
How does your family feel about what you are doing? Are they supportive?
At first my parents didn’t encourage me. They were quite concerned.  My dad, who had emigrated from Turkey to Switzerland, worked in a factory his entire life and felt uneasy about my not having a steady job. But these days, everyone in my family is proud of me and supportive.
What is your principal source of income these days?
Selling canvases and prints.

 

What about exhibits? When did you begin exhibiting your work in galleries? And where have you shown it?
I began six years ago when I was 27. I’ve exhibited in all of Switzerland’s major cities and in Germany.
Who are some of the artists who have inspired you?
The late Swiss painter, Ferdinand Hodler, and the contemporary Australian artist, Jeremy Geddess, come to mind.  The American painter and photographer, Chuck Close, and the people around me — like Wes21, Schwarzmaler, Jörg Müller and Rodja Galli — have also influenced me.
What about artists getting up in public spaces? Have you any favorites?
I think Roa is wonderful. His skills are remarkable.
How do you feel about the role of the Internet in all this?
There’s too much information out there. There’s lots of dope work, but there’s also too much trash.


Any thoughts about artists — particularly street artists – working with corporations and brands?
I’ve done it, and I don’t like it. I often felt like I was selling myself.
What do you see as the role of the artist in society?
I see the artist as society’s commentator and conscience, as well as its mirror.
What’s ahead?
I’d like to continue doing what I’m doing now.  Painting both in my studio and in public spaces, exhibiting and traveling.
Good luck and we are eagerly awaiting your next visit to NYC.

Photo of Onur and Wes21 at work by Lenny Collado; all other images are courtesy of Onur.

Tuesday, May 28, 2013

Bushwick Open Studios 2013

Bushwick Open Studios 2013

MAY 31 – JUNE 2
Bushwick Open Studios (BOS) is a three day arts and culture festival that celebrates the community’s vibrant arts scene with the goal of fostering dialogue and collaboration between local artists and residents. The festival, now in its seventh year, is hosted by the volunteer organization Arts in Bushwick (AiB) and is free and open to the public.

http://artsinbushwick.org/bos2013/directory/
http://artsinbushwick.org/bos2013/


 

Thursday, May 23, 2013

Atlantic Ocean & Khin Aung Aye

Gazing at the Ocean  by Khin Aung Aye.






ငါ့ မင္း ဆီ လာ ခဲ့ ဘို႕ လ ေပါင္း ၆၀၀ ေက်ာ္ အ ခ်ိန္ ယူ ခဲ့ ရ တယ္
ေရာက္ လာ ေတာ့ ေ က်ာက္ ေဆာင္ တန္း တ ခ်ိဳ႕ နဲ႕ လ တ ျခမ္း သာ သာ ရယ္......


ခင္ ေအာင္ ေအး May 21, 2013


သမုဒၵယာကို ေငးျခင္း

မ်က္ေစ့တစ္ဆံုးအထိ မီးခိုးျပာေရာင္ မွဳန္မွိဳင္းေရျပင္က်ယ္
လွိဳင္းေခါင္းျဖဴေတြနဲ႕ အနားသတ္ေပးထားတဲ့ ေသာင္ျပန္႕ေပၚ
ေရညွိတက္ သက္ရင့္ေက်ာက္တန္း စုစုေတြ ဟိုသည္ေတြ႕ရ
ေက်ာက္စြန္းတစ္ခုမွာေတာ့ ရိျပဲေနတဲ့ ျဖဴတူတူ အ၀တ္စ တစ္စ                                         ၁၁း၀၅

 
သမုဒၵယာကို ေငးျခင္း

မိန္းေမာၾကည့္ေငးေနရင္း
ကန္႕လန္႕ျဖတ္ ပ်ံလာတဲ့ ပင္လယ္စင္ေရာ္တစ္ေကာင္
ျမဴပါးပါးေနာက္က ေကာင္းကင္မွဳန္မွိဳင္းထဲ ထုိးစိုက္၀င္ေရာက္ ေပ်ာက္ကြယ္သြား                    ၁၁း၁၁
 

သမုဒၵယာကို ေငးျခင္း

 ငါ့ အရူးစိတ္က
မင့္ အေျပာက်ယ္မွဳ၊ အဆံုးအစမရွိမွဳထဲ
ဂမူးရွဴးထိုး ခုန္ေပါက္ ေပ်ာ္၀င္သြား                                                                             ၁၁း၂၇
 

သမုဒၵယာကို ေငးျခင္း

ေျပေလ်ာဆင္းသြားတဲ့ သဲေသာင္ေပၚ
ပင္လယ္စင္ေရာ္တစ္ေကာင္ဟာ ေပေစာင္းေစာင္းနဲ႕ရပ္ေန
လွဳိင္းပုတ္သံကို ဗီသိုဗင္ေတးသြားအမွတ္နဲ႕ နားဆင္ေနဟန္                                             ၁၁း၄၂
 

သမုဒၵယာကို ေငးျခင္း

အေ၀းၾကီးက လာခဲ့တယ္
ေ၀ဟင္ခရီးနဲ႕ လာခဲ့တယ္
ေရာက္ျပီလို႕ ထင္စားမိခဲ့တာ
ခုမွ အစ ေနရာမွာ ရပ္မိရံုရွိေသးလို႕ သေဘာေပါက္သြားမိ                                                ၁၁း၅၁
 

သမုဒၵယာကို ေငးျခင္း

ရြရြလွဳပ္လွဳပ္ ခဲသားျပာ ေရျပင္က်ယ္ၾကီးနဲ႕
သူ႕ထက္ နည္းနည္း အေရာင္ေဖ်ာ့ေကာင္းကင္ ထူအအၾကီးကို
အၾကာၾကီး စူးစိုက္ အာရံု၀င္စားေနမိရာ
ငါ့ ေက်ာဖက္က နယူးေယာက္ျမိဳ႕ၾကီးဟာ ဖြဲနဲ႕ဇကြဲမွ်သာ။                                                ၁၂း၀၉

 
သမုဒၵယာကို ေငးျခင္း

 ေရျပင္ၾကီးဖက္ ေငးေနမိရာက
အၾကည့္ကို နည္းနည္း ႏွိမ့္လိုက္စဥ္
ေရညွိတက္ သက္ရင့္ ေက်ာက္တန္းစြန္းေပၚ စာကေလး
ျပီးေတာ့ - ကြင္းထိုးဖိနပ္ထဲ ထိုးစြတ္ထည့္ထားတဲ့
ရြတ္တြ အရုပ္ဆိုးဆိုး င့ါ ညာဖက္ေျခေထာက္။                                                               ၁၂း၁၂


သမုဒၵယာကို ေငးျခင္း


ကဗ်ာစိတ္ဟာ ေခါင္ဖ်ားထိ ေရာက္တယ္လို႕
ေသြးၾကီးခဲ့တဲ့ ငါဟာ
ေဟာ့ဒီ သမုဒၵယာရဲ႕ေရွ႕ေမွာက္မွာ မာန္က်ခဲ့ျပီ
လွိဳင္းဟာ ကမ္းစပ္မွာ ၀ပ္စင္းသြားတဲ့ ပံုဟန္မ်ိဳး                                                             ၁၂း၁၉
 

ခင္ေအာင္ေအး
၂၂၊ ေမ၊ ၂၀၁၃   အႏၱလန္တိတ္သမုဒၵယာကမ္းေျခ၊ နယူးေယာက္

 

Monday, May 20, 2013

 
Toxicity 
Saturday May 25th - Sunday June 23rd
Opening Reception: Saturday, May 25th 6-8pm 
Curated by Aimee Hertog
In the Main Gallery
 


 "Toxicity" presents the work of artists who deal with toxicity, in physical as well as societal manifestations, as a contemporary condition. Numerous poisons produced in laboratories cause   distress, disease and death, with proliferation causing the world to live in a perpetual state of toxicity (and anxiety). Humanity is increasingly endangered by the consequences of out-of-control patriarchal power as well as corporate and personal greed that has emerged from the “money-to-be-made” by inflicting misery on society. As an example, in the future governments may regulate home gardens, keeping individuals from harvesting their own seeds so that “food” corporations can take over the world’s food supply with products that have been shown to cause organ failure and infertility as well as cancer. Our bodies are a battleground in the struggle to maintain our physical and mental health. The seven artists selected for the exhibition “Toxicity” utilize various media including sculpture, painting, photography, installation and performance to present diverse views on the subject of toxicity in both its mental and physical manifestations. The goal of each artist is to expose the toxicity that humanity must confront daily and to bring increased attention to the cataclysmic conditions in which we live.
Participating Artists:
Debra Friedkin, Max Glaser, Aimee Hertog, April Zanne Johnson, Robin M. Jordan, Greg Leshé and Ventiko
 PERFORMANCE BY "SYLVIA DEAN AND ME" DURING RECEPTION.
 
WAH Center
135 Broadway (corner Bedford Avenue)
Williamsburg, Brooklyn, NY 11211
 
 

Thursday, May 16, 2013

My another window project, May 2013
 
 
 
 


My inspiration from the 1956 movie " GIANT".


Untitled
By KST.
Acrylic on canvas
36 x 18